Kuti Ruesi Noi (กุฏิฤาษีน้อย), just 450m south of the southern city gate, was the temple for one of the 102 arogayasala (hospitals) that King Jayavarman VII (r. 1182-1219) had built around the empire. It follows the standard arogayasala design in most regards. It faces roughly to the east, in line with Phimai temple and town. It’s quite incomplete – none of the walls are tall and some are gone entirely… Read More
Noen Wat Khok (เนินวัดโคก) was a small temple in its day, but it was likely quite an important one. Like West Mebon in the Angkor region, Noen Wat Khok sat prominently on an island in the middle of a massive baray. Now almost entirely silted in and used mostly for agriculture (though it’s still clearly recognizable when seen from above), the old Phimai Baray stretches 750m by 1800m, the biggest… Read More
Just over a kilometer south of Phimai city’s southern gate and directly centered along the axis of the temple and town, Tha Nang Sra Phom (ท่านางสระผม) is the only preserved Khmer-era boat landing known in Thailand. Likely built by King Jayavarman VII (r. 1182-1219), it’s a simple cruciform platform made entirely of laterite with very steep stairs on three of the sides. When it was excavated the archaeologists found post… Read More
Less than 100m from the south shore of the old Phimai Baray, San Pu-Ta Ban Wang Hin (ศาลปู่ตา บ้านวังหิน) is lined up with the Prasat Phimai’s soaring prang, 3.6km away, instead of being lined up with the baray, suggesting it may have once been an important temple. It’s age and purpose are unknown and nothing ancient – no pottery shards, bricks, or building blocks – is visible now. The few… Read More
Just two hundred meters away from the entrance to Prasat Phimai, but unrelated to it or the Khmer empire in any way, Meru Brahmathat (เมรุพรหมทัต) is a toppled brick stupa from the 18th century (late Ayutthaya era). It sits atop a man-made hill and including this it’s about thirty meters tall now; though it was clearly much bigger when built. While not in very good condition, it does present a… Read More
The classic love story between Nang Oraphim (นางอรพิม) and Thao Pajit (ท้าวปาจิต) is a widely known Thai folktale (some even consider it a non-canonical Jataka tale) with many different versions. The story as told in Khorat province is based on the town of Phimai where locals have declared the ruined Meru Brahmathat stupa as the cremation site of the villainous King Brahmathat. Some locals take the story one step further… Read More
Sra Pleng Quarry (ลานหินตัดสระเพลง) is hidden away in a forest at the foot of the Sankamphaeng Mountains in the south-central part of Ta Phraya National Park. A geologist from the Ministry of Mineral Resources who visited identified this grey sandstone as from the Phu Kradung Formation, which dates to around 150 million years ago. Geological maps of Thailand I’ve seen show this area to be the younger Sao Khua or… Read More
The idea for Phra Mahathat Kaen Nakhon stupa, the famous centerpiece of Wat Nong Wang temple in Khon Kaen city, came from the highly respected Phra Tama Wisut Tajan, the then abbot of the temple. Usually called Luang Paw Koon Kantigo, his life story is told in these mural paintings on the stupa’s fourth floor. It begins in the northeast corner, next to the main stairs. อ่านภาษาไทยที่นี่ (Click here to… Read More
In most of the world, reclining Buddha images represent the Buddha at his death. But in Thailand this is usually not the case. Of the seven reclining postures used in Thailand, two are the Buddha on his death bed, one shows him passing to nirvana, and two are for his cremation; but all of these are rather rare. And none of these is the classic hand-holding-up-his-head posture, which tells a… Read More
The carved wooden doors on the sixth floor of Phra Mahathat Kaen Nakhon stupa at Wat Nong Wang tell many of the main episodes from the Buddha’s life up to and including his enlightenment. The artist was Tawon Gonkaew. The story begins at the northeast corner on the east wall (in front of the stairs) and is told counterclockwise around the stupa. The Buddha’s life story continues down below on… Read More
The carved wooden doors and window shutters on the fifth floor of Phra Mahathat Kaen Nakhon stupa at Wat Nong Wang tell some episodes (the story is far from complete) from the Buddha’s life following his enlightenment. The story begins at the northeast corner on the east wall (in front of the stairs) and is told counterclockwise around the stupa. The first half of the Buddha’s tale is told up… Read More
The Jataka tales (chah-dok in Thai) recount stories from some of the past lives of the being who would eventually reach enlightenment as the Buddha. Often compared with Aesop’s fables (Aesop’s and the Jataka tales even share some plots), the Buddha-to-be is often born as an animal and he frequently overcomes difficult situations or solves problems in creative and comical ways. Even though they’re a part of the Pali Canon… Read More
The carved wooden doors and window shutters on the seventh floor of Phra Mahathat Kaen Nakhon stupa at Wat Nong Wang tell the last ten Jataka tales. The artist was Tawon Gonkaew. อ่านภาษาไทยที่นี่ (Click here to read a Thai version.) The Jataka tales (chah-dok in Thai) are a collection of 547 birth stories from the Pali Canon (the Buddhist equivalent of the Bible) recounting pre-enlightenment lives of the Bodhisatta (what… Read More
These photos are from the Boon Khao Jee (บุญข้าวจี่) ceremony in Ban Hua Na, Amphoe Nong Ruea, Khon Kaen province on February 7-8, 2020. Thanks to Pra Kru Sathaphon Thammasan, Mae Turian, and Khun Pam for helping me out. For more information, there’s an explanation of Boon Khao Jee and an overview of heet sip-song, the twelve Isan merit-making traditions. Preparation The day before Boon Khao Jee was a mostly… Read More
These are all the past-life incarnations of the Bodhisatta (what a Buddha-to-be is called) as recounted in the Jataka tales. The first of the two lists simply records his main character in each of the 547 stories while the second tallies all the individual lifetimes found in the Jataka tales taking duplicates, multiple lifetimes, and passing mentions into account. Any list of this sort will be inexact because it’s not… Read More
The paintings on the window shutters and doors on the fourth floor of Phra Mahathat Kaen Nakhon stupa at Wat Nong Wang feature four separate but related things – gods of the celestial bodies (เทพนพเคราะห์), daily Buddhas (พระประจำวันเกิด), the guardians of the directions (เทพประจำทิศ), and animals of the directions (สัตว์ประจำทิศ) –all in groups of eight. For religious purposes Wednesday is split into daytime and nighttime resulting in eight days in… Read More
Wat Nong Wang (วัดหนองแวง) is Khon Kaen city’s biggest, most important temple, and also its one must-see tourist attraction. It was founded in 1789, the same year the city was settled, though there are no old buildings left. It became a royal temple in 1984. About 55 monks and 225 novices live here. It’s ordinary in most regards, except for the stunning nine-story Phra Mahathat Kaen Nakhon, a stupa unlike… Read More
These photos are from the Boon Khun Lan (บุญคูณลาน) ceremony in Ban Thung Nang Ok, Amphoe Mueang, Yasothon province on December 30, 2019 to January 1, 2020. Thanks to Mae Nang, Mae Yewa, Khun Noi, Khun Noot, Khun Wii, and everyone else in the village for being such great hosts and answering all my questions. For more information, there’s an explanation of Boon Khun Lan and an overview of heet… Read More
These photos are from the Boon Khao Kam (บุญเข้ากรรม) ceremony at Ban Khok Nong Waeng, Amphoe Non Daeng, Nakhon Ratchasima Province between November 29 and December 10, 2019. Thanks to everyone there, especially Phra Khru O-Pat, Phra Bunserm, Phra Apichat, Mae Wanni, and Mae Un, for being so helpful and welcoming me at the temple for ten days. For more information, there’s an explanation of Boon Khao Kam and an… Read More
A temple for one of the 102 arogayasala (hospitals) built by King Jayavarman VII (r. 1182-1219), Prang Phon Songkhram (ปรางค์พลสงคราม) follows the standard design of arogayasala, including being built primarily with laterite, using sandstone only for trim. The only original entrance is through an eastern gopura. It’s cross-shaped with small chambers to the east, south, and north (which still have their roofs) and an uncarved lintel over the outer front… Read More