CultureFestivals

Boon Pha Wet Photo Essay

These photos are from the Boon Pha Wet (บุญผะเหวด) festival in Ban Lan, Amphoe Ban Phai, Khon Kaen province taken on March 26-28, 2019. Thanks to everybody we met at the temple, especially Phra Tao, Paw Jan Sanit Khemla, and P' Kruea for answering so many questions. For more information, there's an explanation of Boon Pha Wet, a short version of the Vessantara Jataka (wetsandon chadok in Thai) folktale from the Pali Canon that most of the next two days revolves around, and an overview of heet sip-song, the twelve Isan merit-making traditions.

 

Before Boon Pha Wet

Most of the preparation was done the day before the festival began. Wat Ban Lan temple's wihan was decorated inside and out with things like fish, birds, and flowers woven from palm leaf or plastic; garlands strung from tree seeds and grass; and most of all, Isan's iconic yai maeng mum crafted with colorful yarn. Most of these were reused from previous years, but some were made new.

maeng mum yarn decorations

decorations hanging

woman sorting decorations

woman making garland our of tree seeds

woman making decoration out of yarn

woman hanging decorations

woman and girl hanging decorations outside wihan

decoration in front of ubosot

Other things to be used during various ceremonies over the two-day celebration, like kam mak-beng (made of folded banana leaves like a little bai-sii) and food that are given to monks, were prepared at home.

woman making bai sii

woman making bai sii

woman making bai sii

 

tray full of bai sii

man making fish decoration

decorative fish hanging at temple

Hanging amidst the wihan's ornamentation were thirteen white bags (one for each "chapter" of the story) holding one thousand (for each of the poetic stanzas) candles, cigarettes, betel packs, and dtam miang. The latter are snacks made of noni fruit, green banana, young galangal stalk, fermented fish sauce (bplaa-raa), chili, sugar, and sour tamarind all pounded like som tam and then wrapped in star gooseberry leaves. The number of each item in each bag matches the number of stanzas in that chapter.

woman hanging candle bag

candles, cigarettes, and snacks

 

bag for holding candles from Boon Pa Wet

Also hung in the wihan was a Pha Wet banner (visually telling the complete Vessantara Jataka story) painted just a few years ago. The temple's other older (1963) banner is only used for the actual ceremony. Slideshows of both banners are at the bottom of this page.

Pha Wet banner hanging inside wihan

Pha Wet banner hanging inside wihan

Vessantara's family on Pha Wet banner

Chuchok being chased up a tree by dogs on Pha Wet banner

Chuchok, his wife, birds, and a snake on Pha Wet banner

Vessantara's wife and three large cats on Pha Wet banner

Parade Day

Boon Pha Wet kicks off with a parade, and seemingly the whole village gathered at the temple to be a part of it. Starting late (4.45pm) to avoid the worst of the heat, everyone headed through the village and out to the rice fields where a small hill stood in for the wilderness where Prince Vessantara lived with his wife during his exile.

As happens in the story, everybody from the town goes out to this "forest" – where a couple dressed as the prince and his wife are waiting – to invite them back home. There are also people playing the prince's two children; his parents, the king and queen; and the evil brahmin Jujaka (Chuchok in Thai) who took the children to be his slaves. Three village elders and a small Buddha image led the way and, of course, a truck full of speakers blasting luuk thung (Isan country) music brought up the back.

man dressed as Chuchok

drawing designs on Chuchok's chest with a red marker

 

Vessantara and his wife

monk taking photo of Vessantara and his family

man carrying Buddha image at the front of a parade

Chuchok and Vessantara and his family riding in back of truck

long line of people walking through village

people walking in rice field

people walking in rice field

Chuchok with kids

women dancing in rice field

The ceremony in the "forest" took place surrounded by the temple's 40-meter-long vintage Pha Wet banner. The monks began with prayers and then village elders led a partial reenactment of the Jataka tale's finale (where Prince Vessantara forgives his father, the family is reunited, and the kingdom prospers) and spoke about the importance of family.

people gathered with Pha Wet banner around them

monks sitting in front of Pha Wet banner

people sitting in front of monks

Vessantara, his wife, parents, and kids sitting in front of monks

Vessantara, his wife, parents, and kids

In the story, the family's reunification caused such overwhelming joy that everybody fainted, so the god Indra sent a magical rain to revive them. Here, toward the end of the ceremony, water was splashed on the crowd several times in hopes of invoking a good rainy season in the coming year. It was like a mini Songkran and all the children were ready and waiting for it. (That night it rained and the next morning people told us this was a very good sign for the coming year.)

woman throwing water

woman throwing water

The moral of the Vessantara Jataka tale is generosity (Prince Vessantara perfected it, a necessary step towards becoming a Buddha) and this was in part represented by throwing beautifully wrapped coins into the crowd.

bowls of coins next to a monk

man throwing coins

The banner was carried back to the temple unfurled, held up by about eighty people, and taken around the wihan three times. It was a festive procession with dancing, shooting fireworks, and more coin tossing.

people carrying Pha Wet banner through a rice field

people carrying Pha Wet banner through a rice field

people carrying Pha Wet banner through village

people carrying Pha Wet banner through village

people carrying Pha Wet banner through village

people carrying Pha Wet banner and gong at temple

Chuchok and Vessantara and his family riding in back of truck during parade

monk throwing coins

man holding firework in his hand

woman dancing at temple

The parade over, most people went home, but a couple dozen stayed around the temple that evening. A mung-kun offering (the tray held rice, water, a five-baht coin, cotton, candles, chilis, shallots, and leaves from a snake jasmine shrub) was placed in front of a Buddha image, followed by the usual praying and chanting with the monks. Then the village elders invited gods from heaven (they normally also invite Phra Upakut, but did not do that ceremony this year) to join and protect the celebration from bad spirits or other wicked things.

monks chanting

monks chanting

tray with offerings for monks

The evening's main event was one of the monks telling the tale of the time the mystical monk Phra Malai visited heaven and hell. In the former he met Maitreya (the next Buddha) who explained that two of the things people should do if they want to be reborn during his time on earth are listening to the Vessantara Jataka told in one sitting and donating one thousand of something to the temple on that same day – and this advice is the reason that Boon Pha Wet exists.

people listening to monks speaking

monk reading from palm leaf manuscript

 

Storytelling Day

The second day of Boon Pha Wet began before sunup when a few early-risers came to the temple to do a khao pan gawn procession, which is both a show of respect to the Tripiṭaka (Buddha, dharma, sangha) and a plea for a good rainy season. Candles were lit and baskets placed at each corner of the wihan. After saying a prayer, people circled the building three times, placing a sticky rice ball in each basket each time. (In many villages people do one thousand sticky rice balls for this ceremony.) While walking they also sang a song about rain that including yelling out "jok, jok, jok" to imitate the howl of foxes because (if you use your imagination) this sounds similar to the sound of rainfall. After three times around, the people listened to the abbot speak about dharma and some of the events in the Buddha's life, such as the demon Mara sending his three gorgeous young daughters to try to seduce the Buddha, but they turned old and ugly when they failed.

people walking around wihan at night

man lighting a candle in the dark

people praying at night in front of a candle

basket with sticky rice balls

people listening to monks speaking

This pre-dawn ritual was followed by a more-or-less typical temple morning of prayers and eating in the wihan, only with many more people and a lot more food than usual. The last act was a gruat nam ceremony (people passing merit to their ancestors), which in this village includes giving a ball of sticky rice along with the holy water.

putting rice in monks bowls

people preparing to serve food

people serving food to monks

man praying in front of Buddha statue

monks eating

people at temple pouring water into cups and bowls

woman pouring water at the base of a tree

woman pouring water at the base of a tree

The final Boon Pha Wet activity, listening to the entire Vessantara Jataka tale, began at 10am and about seventy-five people came – few under age sixty. The storytellers were a three-monk team from Maha Sarakham that specializes in Boon Pha Wet ceremonies. Each monk played several characters and knew their parts by memory.

people listening to monks speaking

monk chanting

Told entirely in the Isan language, and broadcast out to the village via loudspeaker, these monks' informal version of the tale took considerable creative license to make it their own. When Jujaka was searching for Prince Vessantara, for example, he travelled to Yasothon, Loei, Chumpae, and other places in Isan before finding him here in little Ban Lan – which got a great laugh from the audience. One monk also suggested a lucky lottery number for the upcoming draw.

people listening to monks speaking

PA speakers outside the temple

Each chapter began with candles being lit and ended with three strokes of a gong. Besides the one thousand candles for the Phra Malai story (these were burned as bundles, creating some big flames) mentioned above, several of the chapters had a sponsor who donated money to the temple for the festival, and they each lit a pair of candles on a table.

woman lighting a candle in the wihan

lit candles

tray of candles

 

candles in the wihan

man hitting a gong

Many people made twenty-baht donations to the monks during parts of the story they considered auspicious. By far the most popular of these was when Jujaka was looking for Prince Vessantara. As he journeyed across Isan he begged people for money, so much of the audience got up to give him some. And when Prince Vessantara's wife came home and found out that he had given their children away as slaves to Jujaka, she fainted in distress. At this point several women went and tied sai sin (sacred white threads) around the monks' wrists (some just gave the thread to the monk and let him tie it himself) since sai sin have healing power. And near the end of the story, when Indra sends rain to revive everyone, a man poured water into a bucket to, like the day before, encourage plenty of rain in the coming year.

woman giving monk money

woman tying sacred thread aroudn monk's wrist

man pouring water into bucket

After the story was finished (their slightly abbreviated version of the story took about four hours, not counting their lunch break), the monks blessed the congregation with hope that everything will be good in their lives now and that they will be reborn in the time of Maitreya. After some final chants and prayers people gave the monks useful things like pillows, sandals, toothpaste, tea, matches, and money.

women giving gifts to a monk

Before heading home, most people filled a bottle with what was now holy water from the large-clay pot that the melted candle wax had dripped into. At home they would do something special with it, such as bathe with it or pour some over their children; whatever they felt would bring some good fortune.

people taking water out of a big jar

 

 

 

Pha Wet banner painted around 2013.

 

 

Boon Khao Kam (Month 1)
About

Boon Khun Lan (Month 2)
About      Photo Essay

Boon Khao Jee (Month 3)
About

Boon Pha Wet (Month 4)
About      Photo Essay

Boon Songkran (Month 5)
About      Photo Essay

Boon Bang Fai (Month 6)
About      Photo Essay

Boon Samha (Month 7)
About      Photo Essay

Boon Khao Phansa (Month 8)
About      Photo Essay

Boon Khao Pradap Din (Month 9)
About      Photo Essay

Boon Khao Sak (Month 10)
About      Photo Essay

Boon Ok Phansa (Month 11)
About      Photo Essay

Boon Kathin (Month 12)
About      Photo Essay

 

Share this page.

Leave a Reply

Your email address will not be published. Required fields are marked *